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We've put up two new photo prints for sale @ store.andrewblake.com. Aria Giovanni appears in ARIA RISING and BREASTS.
#4 and #5 in a series of Limited Edition archival photographic prints . These pictures are made using the Lambda laser photographic process, printed on Kodak Endura Paper. Prints are 16x20" unframed in a limited edition of 250 per image. All prints are signed and numbered by Andrew Blake with a Certificate of Authenticity from Studio A Entertainment. Standard shipping included in the price. Special handling on request.
Delivery 3-5 weeks
Go here for details.
Here is a shot of sexy Isis Taylor in Venice Beach from my film SEX DOLLS, available on DVD in the Store area of AndrewBlake.com
Another film clip of Isis Taylor from my soon to be released SEX DOLLS. I intercut cleavage glamour shots of Isis, then her masturbating in bed to a steamy conclusion.
“All My Best," Anita Blond
In the second release of the new Star/Director series from Studio A Entertainment, Andrew Blake hand selects scenes from his extensive archive featuring the sexually charged Hungarian beauty, Anita Blond. “All my Best,” Anita, features eighteen hypnotic vignettes including three arousing boy-girl scenes. Anita Blond is the iconic Blake girl, with her long sensuous legs, perfect breasts and stunning Eastern European face.
“Anita brings an astonishing erotic coolness that turns to intense heat as she interacts with her co-stars Lea Martini, Aria Giovanni, Dita Von Teese, Herve Pierre- Gustav, Chelsea Blue, Isabella Camille, Kyla Cole, Kelle Marie, Frank Gunn and more, “ says Andrew Blake.
Shot on film in world class locations in Paris, Rome, Los Angeles, and Venice, Italy. The DVD includes a look into the making of the collection with a commentary track by Andrew Blake.
Starring: Anita Blond, Coralie, Lea Martini, Eva Falk, Kelle Marie, Aria Giovanni, Dita Von Teese, Temptress, Kyla Cole, Chelsea Blue, Nina, Vicca, Isabella Camille, Terri Summers, Frank Gunn, Herve Pierre-Gustav, David Perry
Produced, Directed, Photographed & Edited by Andrew Blake
Music Score by Raoul Valve
Star/Director Series with Bonus Director's Commentary Track - Shot on Film - Stereo Audio - Playable Worldwide
Here is a short clip from a sequence running in the Members Area of AndrewBlake.com and AndrewBlakeVOD.com
Starring the very naked Valentina, shot in an ornate Paris Hotel Suite juxtaposed with Valentina in my Venice Beach bedroom. It's from my film VALENTINA. Please join my site or order the DVD from the Store.
From my film EXIBITIONISTS, here is a very young and ripe Justine Joli. The first film she made with me. You'll never see her looking like this anywhere except right here on my site! She is surrounded here by Anita Blond (we all need a blonde once in a while) Kyla Cole and fashion model Sierra. The film is now showing in the Members Area of AndrewBlake.com, or available as a DVD in the Store.
Anita Blond, Chelsea Blue and Zedenka star in DECADENCE, now showing in the Members Area of AndrewBlake.com Here is the TRAILER!
Here is a shot of Isis Taylor in bed from my recent film shoot with her in Venice Beach.
This was the only time I filmed the glamorous Czech beauty Kelly Havel. And yes, we'll always have Rome. . . This is the Trailer for my film HIGH HEELS starring Kelly and is now showing on AndrewBlakeVOD.com and in the Members Area of AndrewBlake.com. You can buy the DVD of HIGH HEELS in the Store @ AndrewBlake.com
This clip is from my film DELIRIOUS, which is running now on AndrewBlake.com starring Dahlia Grey and Anita Blond. I shot this movie in Nice, in the south of France in 1998 - It's always been one of my favorite films, with Dahlia and Anita in their sexual prime. But the shooting was far from ideal.
I arrived in Paris to work out the details with my French Production Manager, Gregory. Dahlia flew into Paris a few days later with my Wardrobe Stylist and Key Make-Up Artist from Los Angeles. Then we all flew out of Orly Airport to Nice, on the French Rivera.
Immediately we went to the Villa that was to be our location - half way between Nice and Monte Carlo. The owners were very enthusiastic about the shoot, mentioning that Helmut Newton (my hero) had shot there several months before.
Everthing was ready, then the Hungarians arrived: Anita Blond, Ursula Moore and Anita's "boyfriend" Frank Gunn. Isabella Camille arrived from Los Angeles via Prague (her agent was Regina Hall aka Lucie Malkrabova, from SECRET PARIS). The Hungarians seemed to me to be on edge and angry with each other - or maybe it was just their language which seemed angry by nature!
I had begun a friendship with Anita a year before when she worked for me in LA, but she seemed to have changed and I realized why - her "boyfriend" Frank was a little jerk who drove Anita crazy - like cumming inside her halfway through their sex scene! Anita dumped him shortly thereafter. Ursala Moore didn't add to the party with her condensending tone and manner. They were always at each other's throats. The truth was that they were very jealous of Anita who they knew I was grooming into an International star.
After a day shooting I would arrive back at the hotel with a big headache from listening to complaining in English, French, Czech and Hungarian! The French crew were also irritable and constantly babbling all day long. Even Dahlia was giving me a hard time - she didn't like people "staring at her" when she was nude (particulary me and my female camera assistant), which seemed very strange coming from a girl who was a stripper from the age of 19! Dahlia's erratic behaviour made me think she was off her meds! But that's a whole different story. . .
Isabella was the only one who remained reasonably quiet during the shoot. She was a sweet girl that eventually settled in LA and worked as a stripper and escort. I had dinner with her several times during the shoot - she had a very calm and pleasing nature. She seemed like the only one who didn't have some kind of crazy agenda. All the others slammed their hotel doors shut with gleeful disdain at the end of the day!
Back in Paris where all my "delicate flowers" departed for home, I had a chance to rest and contemplate what had just happened. It seems that sometimes the most difficult, emotional shoots yield the best results. I don't think you'll watch any of DELIRIOUS and feel the dysfunction of the cast and crew members. In retrospect maybe all of the craziness added to the film.